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The suggestion of the project is not only rational and methodical; it also comes from the discovery of formal balances, sometimes found by chance, transformed into spatial and volumetric compositions. This research is helped by the drawing and, above all, by the brush: the first collects the impressions; the second describes construction and matter.
Progressive glazes of shadows dig the canvas, extracting the volume from the light and defining the balance of the details and the depth of the surface.
Simple themes read through the curiosity of the architect, but also intricate themes played through the curiosity of the painter.
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